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Shortlisted Bath Short Story Award 2013 Runner-up Cinnamon Press Competition 2013 WNNER: Don Louth Writer of the Year (run by Reading Writers) WINNER: Bradt/Independent on Sunday Travel Writing Competition 2012. SHORTLISTED: Scott Prize (Salt Publishing) 2012 for a short story collection. Writer/ Journalist - assistant editor and writer for the art and books pages of Wolfprint. Most recently published in Independent on Sunday and short story anthologies: Sentinel Champions No 9, 100 Stories for Queensland, 50 Stories for Pakistan, 100 Stories for Haiti and From Hell to Eternity. In a recent writing competition, Joanne Harris described my writing as '...compelling (but quite creepy)'

Monday 1 February 2010

Another month turned to history. Ten competitions entered and therein always lies the writer’s vulnerability: if you send your work into the world, there will always be the possibility of rejection. Of course, all writers could lie in bed looking wistfully from a window, wondering if the world is missing their genius. Or they could lick a few stamps/press a Paypal button and send out something they have crafted for judgement.

It takes time to become thick-skinned/professional about the inevitable rejection. It could be worse; actors have their whole selves rejected until their face fits. Imagine some cynical smoking man looking past you as if you are a scab on his dog’s behind – saying ‘Next.’ I once had an actor boyfriend and he whined so much about the rejection process that I took a dare and auditioned for a theatre school on the same day that he did. Bristol OId Vic, to be exact. I chose a scene from Taming of the Shrew and a song from My Fair Lady. There he was, my judge: a tired, bored grey-hued man in a stuffy room. I sang terribly, in a Cockney accent that would have shamed Dick Van Dyke. The Shakespearian speech was worse, as my grey man’s lack of interest completely deflated my confidence. I wasn’t surprised to get a rejection letter. My boyfriend got in and I went on to witness this process being repeated for him throughout. So writers, it is all comparative. We at least are hidden away when we are rejected – it doesn’t happen in a public arena.

What helps though, is sharing. Whether it be to share success – as with Tania (Hershman) who recently won a prize with her play – which makes me feel sunny and proud. I have been even prouder when I have had input into stories which have then gone on to be published or been placed in competitions. I have learnt a huge amount from critiqueing – literary forensics really help a writer to writer better, more dynamically themselves. Or to compare with writerly friends our near misses/abject failures. I like to see entering competitions as one of those intellect-grooming puzzles for children – the ones with the shapes and colours that you have to correlate. I am always trying to bludgeon a blue square into the red triangle slot. But I am learning. Having fun too, especially in an elaborately constructed fantasy life of winning all the competitions in my head.

Have decided for this year to take a particular author or poet and read every single poem/book/story they have produced, as well as all the literary criticism I can stomach. My first will be Seamus Heaney, whose poem Digging is one of my most loved and begins thus:


Between my finger and my thumb
The squat pen rests; as snug as a gun


I can read that a hundred times and still find it beautiful.

1 comment:

Tania Hershman said...

Julia, you make an excellent point about rejection. I've just talked about that briefly on my blog too. I told my mother yesterday that I'd had a lot of rejections recently and she was astonished. She didn't realise that that's part of the writing and publishing process (she was also shocked that anyone rejected HER daughter!). I always say, acceptance ain't half as sweet if you haven't had many, many misses.

And yes, imagine being rejected for what you look like?! At least we hide behind our words.

Thanks for your congrats, that does make so much of it worthwhile, especially when it's in a medium that's really new to me. Off to write many more plays now - maybe send your actor ex to me!

May your fantasy life come true - and enjoy Seamus Heaney!

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Prizes and Writing Awards

  • Winner Bradt/Independent on Sunday Travel Writing Competition 2012
  • Shortlisted for Salt Publishing's Scott Prize for short story collections 2012
  • Finalist in Brit Writers' Award 2011
  • 2nd in Sentinel Literary Competition 2011
  • Whitechapel Society Anthology to be published 2010
  • Shortlisted for the Mslexia Short Story Competition 2009
  • Shortlisted for The Asham Award 2009
  • Joint winner of the Penguin/Decibel Prize 2008 - Asian Invisible. Published as The Map of Me
  • Highly Commended in The National Galleries of Scotland Short Story Competition 2008
  • Runner-up in Segora Short Story Prize 2008
  • Joint Winner of The Lancet Short Story Competition 2007: The Resurrection Girl.
  • Runner-up in Virgin Trains/The Guardian Short Story Competition 2007: A Small Revolution
  • Winner of the Woman and Home Short Story Competition 2006: Ghosts of Jamaica.
  • Shortlisted for The Asham Award 2005
  • Runner-up in the Good Housekeeping Short Story Competition 2003
  • Winner of The Sunday Telegraph Tourism for Tomorrow Travel Writing Competition 2002: Wolves of Rumania. Winner
  • Winner and also Winner of Most Original Short Story in the Competition in Trowell and District Writers' Competition 2006